At a glance
- Region
- Persia & Central Asia
Summary
A considerable number of vessels found at Nishapur were glazed in a single colour of lead glaze, over a white or coloured engobe and occasionally straight on the clay. 1 Wilkinson says the coloured glaze was an innovation in eastern Iranian pottery of the ninth century though common elsewhere in Islam; monochrome ware had been made in Iraq since Sasanian times, but on the Iranian plateau it was known only from a few imports. 1
Shapes and colours
At Nishapur monochrome vessels were made from the ninth century on: bowls, dishes and assemblies of dishes, jars, pitchers, ewers and lamps; none of the bowls has a foot ring. 1 Wilkinson notes an association of shape and colour: green, by far the most popular, was favoured for small jars, pitchers and lamps, while brown appears only on medium and small jars. 1
Blue and brown
Blue was hardly used at Nishapur in the ninth and tenth centuries, since copper cannot give it in a lead glaze and cobalt was not then used in Khurasan; with the later alkaline glazes and the new body cobalt became fashionable. 1 Brown, sometimes a rich chocolate, comes from manganese, and it is sometimes hard to tell whether the glaze took its colour directly or from a manganese engobe. 1
Connections
- Practiced in
- Nishapur
People and things also explored
Alkaline-glazed ware and its moulds· Black on white ware (Khurasan and Transoxiana)· Chinese wares in the early Islamic world· Colour-splashed ware· Buff ware (Nishapur)· Opaque white ware· Opaque yellow ware· Polychrome on white ware (Nishapur)
Sources
- Charles K. Wilkinson, Nishapur: Pottery of the Early Islamic Period (New York: The Metropolitan Museum of Art, 1973) , p. 271
Cite this page
islam.museum contributors. “Monochrome glazed ware (Nishapur)”. islam.museum, https://islam.museum/en/concept/monochrome-glazed-ware/. CC BY-SA 4.0. Last updated 2026-11-04.
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