Mir Ali Tabrizi

مير علي التبريزي

Calligrapher under the patronage of Sultan Ahmad Jalayir, credited by Norah Titley with perfecting the nasta'liq script, in which he wrote the 1396 manuscript of Khvaju Kirmani's poems 1 2.

Depth

At a glance

Roles
calligrapher · Artist
Region
Persia & Central Asia

Arts of the book

Summary

Mir Ali Tabrizi was a calligrapher in the academy of Sultan Ahmad Jalayir; Norah Titley says that under Sultan Ahmad's patronage he perfected the elegant, flowing nasta'liq script, in which he wrote Khvaju Kirmani's poems in the manuscript of 1396. 1 For Titley the script then became the predominant one in illustrated Persian manuscripts, being the perfect complement to miniatures. 1

The Divan

Mir Ali also copied Sultan Ahmad's Divan, now in the Freer Gallery, thought to be later than the Khvaju Kirmani manuscript and perhaps from the turn of the fifteenth century before Timur's army drove Sultan Ahmad from Baghdad; eight of its folios have unique border paintings stretching across the page. 2

Connections

Explore the connections

Patronized by
Ahmad Jalayir

People and things also explored

Poems of Khvaju Kirmani (Baghdad, 1396), British Library Add. 18113· Junayd of Baghdad (painter)· Ahmad Jalayir· Abbasid tin-glazed ware· Ahmadnagar painting· Proportional script and the six pens (al-aqlam al-sitta)· Arabesque· Bijapur painting

Sources

  1. Norah M. Titley, Persian Miniature Painting and its Influence on the Art of Turkey and India: The British Library Collections (London: British Library, 1983) , p. 27
  2. Norah M. Titley, Persian Miniature Painting and its Influence on the Art of Turkey and India: The British Library Collections (London: British Library, 1983) , p. 224
Cite this page

islam.museum contributors. “Mir Ali Tabrizi”. islam.museum, https://islam.museum/en/person/mir-ali-tabrizi/. CC BY-SA 4.0. Last updated 2026-11-04.

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Related

Poems of Khvaju Kirmani (Baghdad, 1396), British Library Add. 18113

A manuscript of the poems of Khvaju Kirmani completed at Baghdad in 1396 in the academy of Sultan Ahmad Jalayir, written in nasta'liq by Mir Ali Tabrizi, its full-page paintings attributed to Junayd of Baghdad; Norah Titley sees it as the peak of the Jalayirid school.