The Mandu Bustan of Sa'di (ca. 1500-1503), National Museum, New Delhi

Objects Words

بستان سعدي المصور في مندو (نحو 1500–1503)، المتحف الوطني بنيودلهي

A Bustan of Sa'di of 229 folios and 43 miniatures, written in nasta'liq by Shahsuvar al-Katib for Nasir al-Din Khalji of Malwa and painted and illuminated by Haji Mahmud at Mandu, with distant echoes of Bihzad 1.

Depth

At a glance

Region
South Asia

In time

1490150015101520
The Crusades, Ayyubids and Mamluks · The Gunpowder Empires · The Mongol and Post-Mongol Era

Arts of the book

Overview

This illustrated copy of the Bustan (The Orchard) of Sa'di of Shiraz (ca. 1200-1290), of 229 folios and 43 miniatures, is in the National Museum, New Delhi (48.6/4), and was made at Mandu, capital of the sultanate of Malwa, around 1500-1503. 1 The catalogue recalls that Sa'di's moral tales amused and enlightened readers throughout Islam and that several copies of his Gulistan and Bustan were brilliantly illustrated in India. 1

Scribe, patron and painter

It was written in an unusually bold but graceful nasta'liq by Shahsuvar al-Katib for Nasir al-Din Khalji of Malwa (r. 1500-1511), the second patron of the Ni'matnama; the sultan's name and titles are in a shamsa on folio 1r. 1 The colophon page carries an inspection date of AH 908 (1502-3), so it must have been finished early in his reign. 1 Inscriptions on folios 1 and 190r name the painter and illuminator as Haji Mahmud, who illustrated the Ni'matnama at Mandu; the other forty-one pictures appear to come from the same workshop if not the same hand. 1

Abraham and the fire-worshipper

One picture shows the tale of the hospitable patriarch Abraham, who invited a frail old wanderer to dine; noticing his silence at grace, he realised the guest was a Zoroastrian and drove him back into the desert hungry, whereupon an angel rebuked him: for a century God had fed this man, and now he presumed to withhold his hand. 1

Its style

The stumpy trees on the horizon, the logical handling of space and architecture, the ornament and the figure types show a faint but recognisable awareness of Bihzad, the late Timurid master of Herat. 1 Since the Mandu patrons and artists are unlikely to have seen his paintings, his style must have reached them at second or third hand, which Welch takes as a tribute both to Bihzad's power and to the level of artistic appreciation at Mandu. 1

Connections

Explore the connections

Commissioned by
Nasir al-Din Khalji, sultan of Malwa
Mentioned in
India: Art and Culture 1300-1900

People and things also explored

Bahmanid Qur'an, Archaeological Museum, Bijapur· Ivory chessman signed by Yusuf al-Bahlili· Princes of the House of Timur, painting on cotton, British Museum· Nasir al-Din Khalji, sultan of Malwa· India: Art and Culture 1300-1900· Abbasid tin-glazed ware· Ahmadnagar painting· Proportional script and the six pens (al-aqlam al-sitta)

Sources

  1. Stuart Cary Welch, India: Art and Culture 1300-1900 (New York: The Metropolitan Museum of Art, 1985) , p. 134
Cite this page

islam.museum contributors. “The Mandu Bustan of Sa'di (ca. 1500-1503), National Museum, New Delhi”. islam.museum, https://islam.museum/en/object/mandu-bustan-national-museum-delhi/. CC BY-SA 4.0. Last updated 2026-11-04.

Improve this page on GitHub · Report an error · Help complete it · JSON

Wing

Objects

Manuscripts, art, architecture and relics from collections worldwide.
Related

Bahmanid Qur'an, Archaeological Museum, Bijapur

A Qur'an in Bihari script dated AH 888 in the Deccan, which Welch describes as apparently the only manuscript to survive from the Bahmanid period, kept in the Archaeological Museum at Bijapur.