Ivory chessman signed by Yusuf al-Bahlili

قطعة الشطرنج العاجية من عمل يوسف البهليلي

An ivory chess piece showing a king on an elephant's howdah in battle, inscribed in Kufic 'from the work of Yusuf al-Bahlili', which Melikian-Chirvani places in northwestern India under the Ghaznavids in the late eleventh or early twelfth century; in the Cabinet des Médailles of the Bibliothèque nationale, Paris 1 2.

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Arts of the book

Overview

This chess piece is carved from a cross-section of a great elephant tusk, 15.3 cm high, and is kept in the Cabinet des Médailles of the Bibliothèque nationale, Paris (Chab. 3271). 1 It shows a moustached nobleman, perhaps a king, seated with poise on the howdah of a war elephant that lumbers into the fray flanked by four horsemen, its trunk seizing an enemy rider while the mahout, pitched forward from his seat, tugs at the rider's hand. 1 A repeated relief of foot soldiers with swords and shields runs round the howdah's edge, and twisted limbs crushed beneath the elephant's hind legs imply its triumph. 1 The front of the base has split off, as have the legs of the endangered rider's horse, and fragments of an arm and a leg on the elephant's head suggest a second, lost mahout. 1

The Charlemagne legend

Dates proposed for it have ranged from the eighth century to the fifteenth. 1 Souren Melikian-Chirvani recalls that in the nineteenth century it was widely believed to belong to a set given to the emperor Charlemagne by the Abbasid caliph Harun al-Rashid, and he traces the confusion to its listing in the 1505 inventory of the treasury of the royal abbey of Saint-Denis, immediately after a lost ivory chess game recorded as Charlemagne's. 1

Signature and attribution

Its underside is signed in Arabic "from the work of Yusuf al-Bahlili"; for Melikian-Chirvani, the plain Kufic lettering and the formula "from the work of" mean the piece cannot be later than the end of the eleventh or the beginning of the twelfth century. 1 Several details link it to the eastern Iranian world: the foot soldiers' boots of an early eastern Iranian type, their stylised marching pose, and the horse trappings — stirrups, hanging discs and rectangular saddle cloths — known from Sasanian silver and pre-Islamic vessels of Central Asia and Khurasan. 1 2 From this he concludes that it was reasonably made at a centre in northwestern India where Iranian military equipment was used, probably a dependency of the Ghaznavid sultanate, which after the conquests of Mahmud of Ghazni ruled from Ghazni a kingdom from the Tigris to the Ganges until 1173. 2 He reserves a final judgement until a fuller study is made. 1

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Mentioned in
India: Art and Culture 1300-1900

People and things also explored

Bahmanid Qur'an, Archaeological Museum, Bijapur· The Mandu Bustan of Sa'di (ca. 1500-1503), National Museum, New Delhi· Princes of the House of Timur, painting on cotton, British Museum· India: Art and Culture 1300-1900· Abbasid tin-glazed ware· Ahmadnagar painting· Proportional script and the six pens (al-aqlam al-sitta)· Arabesque

Sources

  1. Stuart Cary Welch, India: Art and Culture 1300-1900 (New York: The Metropolitan Museum of Art, 1985) , p. 126
  2. Stuart Cary Welch, India: Art and Culture 1300-1900 (New York: The Metropolitan Museum of Art, 1985) , p. 127
Cite this page

islam.museum contributors. “Ivory chessman signed by Yusuf al-Bahlili”. islam.museum, https://islam.museum/en/object/chessman-of-yusuf-al-bahlili/. CC BY-SA 4.0. Last updated 2026-11-04.

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Bahmanid Qur'an, Archaeological Museum, Bijapur

A Qur'an in Bihari script dated AH 888 in the Deccan, which Welch describes as apparently the only manuscript to survive from the Bahmanid period, kept in the Archaeological Museum at Bijapur.