Samarra millefiori glass tiles

Made Objects

بلاطات الزجاج الألفي الزهر في سامراء

Brightly coloured millefiori glass tiles believed to have adorned the audience hall of the Dar al-Khilafa at ninth-century Samarra; Nadine Schibille assigns them to the Samarra 2 group of Mesopotamian plant-ash glass 1.

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Engineering and technologyChemistry and alchemy

Summary

Millefiori glass tiles are among the most famous glass finds of Samarra, believed to have adorned the audience hall of the Dar al-Khilafa. 1 Nadine Schibille assigns them to the Samarra 2 group of Mesopotamian plant-ash glass, together with the cobalt-blue vessel fragments with scratched decoration. 1

Samarra's craftsmen

Al-Ya'qubi (d. 897) relates that the caliph al-Mu'tasim gathered groups of craftsmen, glassworkers among them, from Basra and sent them to his new capital Samarra, which Schibille thinks may explain the sophistication and selectivity of Samarra's glass. 2 The systematic differences between the Samarra 1 and Samarra 2 groups and their correlation with object types point to deliberate selection of raw materials and a willingness to invest effort in near-colourless glass for the aesthetic of the Abbasid "glass palaces". 2 1

Link to Sasanian tradition

Comparing the tiles with Sasanian glass from Ctesiphon and Merovingian beads from Belgium, Schibille finds all three within a common Mesopotamian tradition, but the tiles differ in base-glass characteristics, implying different local raw materials. 1 In this Samarra differs from al-Raqqa, where no evidence of strongly coloured glass production was found. 1

Connections

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Practiced in
Samarra

People and things also explored

Abbasid tin-glazed ware· Early Islamic Pottery (Arthur Lane)· al-Askari shrine (Samarra)· Dome of Redress of al-Muhtadi· Samarran stucco styles (A, B, C)· The Killing of Abu Faqqas by Flogging· The war of Nasir al-Dawla and Mu'izz al-Dawla for Baghdad (334-335 AH / 946)· Bayakbak's murder; Egypt's apanage passes to Yarjukh, 256/870

Sources

  1. Nadine Schibille, Islamic Glass in the Making: Chronological and Geographical Dimensions (Leuven University Press, 2022) , p. 146
  2. Nadine Schibille, Islamic Glass in the Making: Chronological and Geographical Dimensions (Leuven University Press, 2022) , p. 145
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islam.museum contributors. “Samarra millefiori glass tiles”. islam.museum, https://islam.museum/en/concept/samarra-millefiori-glass/. CC BY-SA 4.0. Last updated 2026-11-04.

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Abbasid tin-glazed ware

Ninth-century Iraqi pottery covered with an opaque white glaze made with tin oxide to resemble white Chinese ware, then painted in blue, green and purple or in lustre.