Azza al-Mayla'

عزة الميلاء

Medina

Azza al-Mayla', a client of the Ansar in Medina, among the earliest women in the Hijaz to sing measured song and among the finest lute players; she learned from Ra'iqa and from Nashit and Sa'ib Khathir, taught Ibn Surayj and Ibn Muhriz, and Tuways called her the mistress of all women singers, with an Islam free of blemish.

Depth

At a glance

Roles
musician
Era
The Rashidun Caliphate · The Umayyad Period
Region
Arabia

In space

Medina

Map: Natural Earth, public domain · places and route from the graph

WomenMusic and its permissibility

Summary

Azza al-Mayla' was a singer of Medina. Kahhala says she was among the earliest women in the Hijaz to sing measured song (al-ghina' al-mawqqa') and among the best lute players, a natural singer whom neither performance, composition nor arrangement defeated. 1

Her training

She sang the old songs of the singing-girls — Sirin, Zarnab, Khawla, al-Rabab and Salma — and her teacher was Ra'iqa; when Nashit and Sa'ib Khathir came to Medina and sang in Persian, she learned melodies from them and composed wonderful tunes on them. 1 Her nickname is variously explained — by her swaying gait, by her wearing a wrap (mula'a) like men, or by her fondness for drink; Kahhala favours the first. 1

Pupils and standing

Ibn Surayj came to Medina as a youth to hear her and learn her singing, and when asked who sang best he would say: the client of the Ansar, preferred above every man and woman who sang; Ibn Muhriz would spend three months in Medina learning lute-playing from her. 1 2 Tuways, her neighbour and most frequent visitor, called her the mistress of all women singers, with outstanding beauty, fine character and "an Islam free of blemish", bidding good and forbidding evil; when she held a public session, it was as if birds sat on the heads of her audience. 2

With Abd Allah ibn Ja'far

Kahhala relates that Ibn Abi Atiq persuaded Abd Allah ibn Ja'far to visit her with him; they found the governor's messenger at her door ordering her to stop singing because the people of Medina complained of her. Ibn Ja'far told him to have it proclaimed in Medina that any man corrupted or woman seduced on Azza's account should come forward; it was proclaimed, and no one did. 2

For young visitors

Azza al-Mayla' was one of the first women singers of Medina. She played the lute, and famous singers such as Ibn Surayj learned from her.

Research notes

  • Kahhala gives no date of death in these pages; his reports come mainly from al-Aghani.

Connections

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Lived in
Medina

People and things also explored

The capture and release of Hatim al-Ta'i's daughter· The Incident of the Slander (Hadith al-Ifk)· Umayr ibn Adi al-Khatmi's mission to kill Asma' bint Marwan· The marriage of Fatima and Ali· Marriage to Zaynab bint Jahsh· The Choice Offered to the Prophet's Wives· Aisha bint Abi Bakr· al-Shifa' bint Abdullah

Sources

  1. A'lam al-Nisa' fi Alamay al-Arab wa-al-Islam — Umar Rida Kahhala, vol. 3 (Mu'assasat al-Risala, Beirut, 5th ed. 1984) , p.279
  2. A'lam al-Nisa' fi Alamay al-Arab wa-al-Islam — Umar Rida Kahhala, vol. 3 (Mu'assasat al-Risala, Beirut, 5th ed. 1984) , p.280
Cite this page

islam.museum contributors. “Azza al-Mayla'”. islam.museum, https://islam.museum/en/person/azza-al-mayla/. CC BY-SA 4.0. Last updated 2026-11-04.

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Related

The capture and release of Hatim al-Ta'i's daughter

A cavalry force of the Prophet took Hatim's daughter among the captives of Tayy after her brother Adi fled to Syria, and she was held in the enclosure by the mosque door. For three days she addressed the Prophet, the father is dead and the envoy absent, be gracious to me, until Ali ibn Abi Talib signalled her to speak again; the Prophet released her, told her to wait for trustworthy kin, then clothed her, mounted her and provisioned her, and she joined her brother in Syria.