How to Read Islamic Calligraphy

Objects Words

By Maryam D. Ekhtiar

كيف تقرأ الخط الإسلامي

Maryam D. Ekhtiar's book (The Met, 2018) introducing the major Islamic script types and their sacred and secular contexts through works in the Museum's collection, in three chapters: the origins and development of the Arabic script, the art of the Qur'an, and ornament and abstraction 1 2.

Depth

At a glance

Region
Global / Diaspora

Arts of the book

Summary

How to Read Islamic Calligraphy is a book by Maryam D. Ekhtiar in the "How to Read" series of The Metropolitan Museum of Art, New York, printed in 2018 and distributed by Yale University Press. 3 4 It uses works from the Museum's collection to explore the place of the written word in the Islamic world, introducing the major script types and the sacred and secular settings in which each was used, from illuminated Qur'ans to glass, metalwork and textiles. 1

Structure

An introduction on Islamic calligraphy, calligraphers and their tools is followed by three chapters: "The Arabic Script: Origins, Development, and Variations", "Embellishing the Word of God: Arabic and the Art of the Qur'an", and "Ornament and Abstraction: The Triumph of Form over Content", then chapter sources, a bibliography, a glossary and a table of dynasties. 2 Each chapter has an essay followed by numbered, annotated catalogue entries. 5

Subjects

The first chapter follows kufic, the new style, and the theory of proportional script and the six pens of Ibn Muqla, Ibn al-Bawwab and Yaqut al-Musta'simi, then the chancery scripts — ta'liq, shikasta, divani and the tughra — and the regional scripts maghribi and nasta'liq. 6 The second traces the copying of the Qur'an from hijazi to its divisions and ornament. 7 The third covers siyah mashq and calligraphy in modern art. 8 9

Connections

Explore the connections

About
Islamic calligraphy

People and things also explored

Divani script· Kufic script· Naskh script· Thuluth script· Islamic calligraphy· Museum of Islamic Art, Doha· Abbasid tin-glazed ware· Ahmadnagar painting

Sources

  1. Maryam D. Ekhtiar, How to Read Islamic Calligraphy (New York: The Metropolitan Museum of Art, 2018) , p. 2
  2. Maryam D. Ekhtiar, How to Read Islamic Calligraphy (New York: The Metropolitan Museum of Art, 2018) , p. 5
  3. Maryam D. Ekhtiar, How to Read Islamic Calligraphy (New York: The Metropolitan Museum of Art, 2018) , p. 3
  4. Maryam D. Ekhtiar, How to Read Islamic Calligraphy (New York: The Metropolitan Museum of Art, 2018) , p. 146
  5. Maryam D. Ekhtiar, How to Read Islamic Calligraphy (New York: The Metropolitan Museum of Art, 2018) , p. 31
  6. Maryam D. Ekhtiar, How to Read Islamic Calligraphy (New York: The Metropolitan Museum of Art, 2018) , p. 22–29
  7. Maryam D. Ekhtiar, How to Read Islamic Calligraphy (New York: The Metropolitan Museum of Art, 2018) , p. 60–67
  8. Maryam D. Ekhtiar, How to Read Islamic Calligraphy (New York: The Metropolitan Museum of Art, 2018) , p. 106
  9. Maryam D. Ekhtiar, How to Read Islamic Calligraphy (New York: The Metropolitan Museum of Art, 2018) , p. 137
Cite this page

islam.museum contributors. “How to Read Islamic Calligraphy”. islam.museum, https://islam.museum/en/work/how-to-read-islamic-calligraphy/. CC BY-SA 4.0. Last updated 2026-11-06.

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Wing

Objects

Manuscripts, art, architecture and relics from collections worldwide.
Related

Divani script

The chancery script of the Ottoman Imperial Council — "of the divan" — used for the body of firmans; intricate, compact and hard to read, its letters and words intertwine in a slight upward slope like a ship's bow.