Illustrated Laur Chanda (Chandayana), Prince of Wales Museum, Bombay

Objects Words

مخطوط «لور چندا» ⁦(چندايَن)⁩ المصور، متحف أمير ويلز في بومباي

An illustrated copy of the Chandayana romance composed in Avadhi by Mulla Da'ud in 1377-78, sixty-eight of whose miniatures the Prince of Wales Museum, Bombay, acquired from Bhopal in 1957, dated by Welch to about 1535-40 1 2.

Depth

At a glance

Region
South Asia

In time

1520153015401550
The Gunpowder Empires

Arts of the book

Overview

The Laur Chanda or Chandayana (The Story of Chanda) is a romance composed in the Avadhi dialect of Hindi in 1377-78 by Mulla Da'ud, who dedicated it to Jahan Shah, vizier of Sultan Firuz Shah Tughluq of Delhi. 1 Its popularity shows in the survival of parts of at least five illustrated pre-Mughal copies, in a field noted for scarcity. 1 The Prince of Wales Museum of Western India in Bombay acquired sixty-eight miniatures from this copy from Bhopal in 1957. 1

Laur fighting in the forest

One picture shows the hero Laur and his beloved Chanda resting beneath a tree on which Laur has hung his buckler, when a gang of soldiers attacks them. 1 For Welch, violence has rarely been painted more lyrically: the action unfolds beneath a sky of arabesques and a tree flowering with songbirds, the flowers are scattered as rhythmically as drumbeats, and the artist seems even more oblivious to the everyday world than the Iranian painters whose style his grew from. 1

Date and place

Opinions on its date vary; Welch thinks it cannot be far from 1535-40. 1 Its Iranian elements, such as the curved tree trunk that looks back to Turkman precursors, are only vestigial, and the women are painted in a style related to the Chaurapanchasika series of the mid-sixteenth century. 2 Mandu, Malwa, Delhi and Jaunpur have all been proposed as its place of origin; wherever it was made, it implies a patron devoted to illustrated books and to other artistic pleasures. 2

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Museum of Islamic Art, Doha· Abbasid tin-glazed ware· Ahmadnagar painting· Proportional script and the six pens (al-aqlam al-sitta)· Arabesque· Bijapur painting· Broken cursive (New Style)· Deccani painting

Sources

  1. Stuart Cary Welch, India: Art and Culture 1300-1900 (New York: The Metropolitan Museum of Art, 1985) , p. 136
  2. Stuart Cary Welch, India: Art and Culture 1300-1900 (New York: The Metropolitan Museum of Art, 1985) , p. 137
Cite this page

islam.museum contributors. “Illustrated Laur Chanda (Chandayana), Prince of Wales Museum, Bombay”. islam.museum, https://islam.museum/en/object/chandayana-prince-of-wales-museum/. CC BY-SA 4.0. Last updated 2026-11-06.

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The Museum of Islamic Art in Doha, designed by I. M. Pei on an artificial island at one end of the Doha Corniche and opened by the Emir of Qatar, Sheikh Hamad, on 22 November 2008; owned by Qatar Museums, it shows Islamic art from three continents across fourteen centuries and reopened after a renovation in October 2022.